Ande
搜索"Ande" ，找到 1050部影视作品
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杨斯·连恩
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对于年过不惑的安德里亚斯（Trond Fausa Aurvaag斯荣德•福斯•奥瓦格 饰）来说，人生似乎在没有什么值得留恋的了，他选择结束自己的生命。他的灵魂乘坐巴士来到一片平静的土地，这里与人间没有什么区别，而且更加平和安宁。 人生仿佛重头开始，安德里亚斯得到一幢舒适的别墅和一份安逸的工作，生活没有压力，很快与周围的人打成一片，并且结识了美丽的室内设计师安妮•碧特（Petronella Barker 饰）。生活惬意，饮食无忧。 但是没有痛苦的世界却也缺少活着的感觉，安德里亚斯再次想到自杀，却发现死亡如今已成为奢望……
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许诚毅
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在经过了一系列惊险刺激的大冒险过后，剑客靴猫踏上新的征程。这次他来到一片辽阔壮丽的荒原，当他正纵马驰骋之时，却被一群全副武装的士兵拦了下来。插插综合在验证身份之后，剑客靴猫被带进一座华丽庄严的王宫，并见到了亚历山德拉•贝拉冈巴公主。公主愁眉不展，面带忧伤，原来她王冠上的熔火之心红宝石被来自法兰西的盗贼耳语大盗偷走。在追捕耳语大盗的过程中，卫兵们捉到大盗的三个跟班——三只超萌看似天真无邪的幼猫。可是公主与卫兵却称他们为恶魔，公主拜托剑客靴猫从小猫口中问出耳语大盗的巢穴，并召回宝石。剑客靴猫欣然应允，不过他却轻视了眼前这三只诡计多端的小猫……
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Jack Messitt
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少女布里切特（瑞贝卡·布兰迪斯RebekahBrande特种兵之战狼s饰）是一家午夜电影院的工作人员，当晚，她所在的影院将要放映一部七十年代的老片《TheDarkBeneath》。围绕这部影片曾发生过多起死亡惨案，它也因此被奉为邪典恐怖片中的圭臬。布里切特的男友乔什（DanielBonjour饰）、好友马里奥（GregCirulnick饰）、萨曼莎（MandellMaughan饰）和苏利（MichaelSchwartz饰）相约来此观看，一同前来的还有侦探贝隆斯（JonBriddell饰），就在不久前，影片的主创之一拉德福德从精神病院神秘失踪，贝隆斯相行尸走肉第六季在线观看信拉德福德会在这里出现。诡异的电影情节让布里切特隐隐感到不安，然而一场模糊了现实和电影界线的杀戮正慢慢向他们袭来……本片荣获2008年芝加哥恐怖电影节最佳摄影和最佳影片奖。
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Paul Cowan
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Using archival footage and dramatic re-enactments, this documentary deals with the immediate aftermath of the 1918 armistice that brought World War I to an end. From January to July 1919, the Paris Peace Conference dealt not only with issues related to Germany but with the thorny issue of national boundaries in Europe, the Middle East and Asia. From this conference emerged Yugoslavia and Czechoslovakia; the annexation of parts of Germany by other countries; the creation of Iraq; and the transfer of German colonies in Africa and China to new colonial masters. It also led to the creation of the League of Nations, championed by President Woodrow Wilson but which the US never joined. When they finally dealt with the issue of war reparations, they imposed a payments schedule on Germany that many believe provided the underpinnings of World War II.
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威廉·弗莱德金
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退役前，邦·汉姆（汤米·李·琼斯 Tommy Lee Jones 饰）是一名特种兵训练教官，凭借着自己出色的身手和丰富的野外生存经验，邦·汉姆训练出了一支战斗力和破坏力的极其强大的特种精英部队。城市周边发生的几起谋杀案让居民们陷入了恐慌，负责该案件的女探员艾比（康妮·尼尔森 Connie Nielsen 饰）找到了早已远离江湖的邦·汉姆，希望他能够协助她破案。 经过了一些列的调查和追踪，邦·汉姆发现凶手的作案手法和风格与自己十分相似，那也就意味着，这个嗜血的凶徒，很可能就是自己曾经教导过的学生。渐渐的，一个名叫亚伦（本尼西奥·德尔·托罗二婚交友 Benicio Del Toro 饰）的男人的身影浮出了水面，他正是凶手本人，而他所作的这一切不为了别的，只为了引诱邦·汉姆再度出山。
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詹姆斯·伯罗斯
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Pa12一14teetvramount+确认Kelsey Grammer主演的Frasier重启剧将会续订第二季，饰演Roz的Peri G火影忍者472集ilpin回归出演，同样回归的还有饰演Bulldog的Dan Butler和饰演Gil的Edward Hibb大罐蓝ert
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Josh Brand
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在一辆孤独的灰狗巴士上，两个带着一模一样黑色旅行包的女人偶然相遇。这一巧合引发了一场致命的猫捉老鼠游戏，其中一人发现她与一名杀手交换了包，而他们的相遇可能并非偶然。在这部电影的开场白中,我们看到了一位孕妇,苔丝,正在收集必要的药物。然后,她前往汽车站,在登机前将行李装进储藏室。另一个女人,突然想出了一个一模一样的袋子,板子,坐在苔丝旁边.她介绍自己是莎拉。当苔丝到达终点站时,萨拉睡着了。她拿起她的包,回到她的遥远的房子。就在她打开袋子的时候,门铃响了...萨拉说他们的行李被换了。当苔丝去拿袋子的时候,袋子打开了,她看到里面有令人震惊的东西。..一些暗示莎拉可能非常危险的东西。她把它合上,还了回去,但很明显,萨拉知道苔丝已经看到了里面的东西。莎拉开始解释事情,但她说的话能被相信吗?当我开始看这个节目的时候,我真不知道该期待什么,一开始我就期待着失望。开幕式的场景暗示,"邪恶"的萨拉犯了一个没有逻辑意义的错误,这是过于戏剧性的。..也就是说把东西放在箱子里。然而,随着故事的发展,它开始变得更有趣,不太可能的细节被解释。在结局结束前有一些好的曲折,我直到接近尾声时才预测到。这部影片几乎完全由两位女主角奥莱莎·鲁林和劳拉·范德沃尔特分别拍摄,给苔丝和萨拉留下了深刻的印象。行动比人们想象的要少,但仍然存在大量的紧张。总的来说,这是一部足够坚实的心理惊愕片,我推荐给这类电影的粉丝,只要90分钟就可以了。
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阿尔·沃伦
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Dogleg follows amateur director Alan, played by Warren, after he loses his fiance's dog at a gender reveal party on the day of an important shoot. As he struggles to finish his latest project with the help of a New York critic, the pursuit of the lost dog and the chaos of his film begin to blend and Alan grows desperate for the day to be over.
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达勒姆·哈里森
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圣诞节前五天，Xander Point 的人们对于他们传奇的灯塔是否继续运营意见不一。市长詹姆斯告诉深受爱戴的看护人伊恩牧师和他的治疗师妻子科琳，市议会投票决定拆除这座地标建筑，建造现代化的住所，以吸引更多游客来到这个海滨小镇。当科琳准备在灯塔度过她的最后一个圣诞节时，她最好的朋友布里回家过节。她对与科尔顿的订婚感到不安，仍在哀悼失去她的真爱雅各布，她认为雅各布在几年前的战斗中阵亡了。她不知道，雅各布还活着，在镇上寻求科琳的指导，科琳想出了一个让两人走到一起的无辜计划。与此同时，在圣诞前夕，市长詹姆斯的小儿子在被学校的孩子们欺负后，独自乘着父亲的船出海，担心在海上迷路了。灯塔能否在圣诞节期间再次让 Xander Point 的家庭团聚，并免遭毁灭。
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Alexander Kluge
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The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
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尼尔森·卡洛·德洛斯桑托斯·阿里亚斯
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河马本在非洲，怎夜色福利院在线看会流落南美？又怎说起人类语言，叩问我来自何方、为何讲话、为何被杀等大哉问，仿佛是位哲学家？70年代，哥伦比亚毒枭走私河马，圈养在家当宠物。毒枭死后迈克杰克逊 mv河马逃窜荒野、繁衍成群，政府认定数量失控、批准猎杀，佩佩成为美洲史上第一只被枪杀的河马。本片以佩佩的死后独白为舵，驾驶狂想飞船穿梭时空，上溯当年莫名渡海台湾贝贝来异乡，下述偶遇人类引误解，并将河马的外来种命运化为隐喻，折射出阶级、殖民、独裁等多重命题。
