Jo
搜索"Jo" ，找到 5217部影视作品
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尼可·拉斯拉森
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Ewan McGregor impresses in Niclas Larsson's star-studded psychological indie drama based on Jerker Virdborg's novella. Three siblings converge in a furniture store in the middle of nowhere. Here, their mother, portrayed by Ellen Burstyn, has barricaded 超碰caopro熟女m超碰分类herself on a couch. David (McGregor) does his best to diplomatically try to resolve the situation, but the other siblings (Rhys Ifans, Laura Flynn Boyle) seem to take the situation with frustrating nonchalance. And while the mother's stationary position on the couch brings forth Norenesque family conflicts to the surface, the furniture store appears increasingly labyrinthine, and David is chased through a never-ending Kubrickian nightmare with a desperate look in his eyes. Swedish director Niclas Larsson (Vatten, GFF 2013) returns to Gothenburg after a period in international advertising with a charged psychological drama that not only impresses with its star-studded cast.
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Jüri Silla
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这是第一部关于1949年苏联秘密警察（NKVD）将爱沙尼亚人强行驱逐至西伯利亚的电影。短短几天几夜内，近2.1万人——其中大多数是妇女和儿童——在高度保密的行动中被从家中带走，押送至火车站，关进牲畜车厢，踏上数千公里的旅程，被送往一个遥远、贫瘠、寒冷又充满敌意的地方，在那里他们大多被当作廉价（甚至是无偿）的劳动力使用。影片采用象征主义手法展现事件，主要角色分别象征圣经中的耶稣、撒旦和犹大。这种设定使影片在艺术表现上具有高度风格化，但也因此显得不够真实，节奏非常缓慢，观感较为吃力。尽管整体制作尚可，表演有时却过于戏剧化。可惜的是，这更像是一部中等水平的艺术片，而非一部值得推荐的历史题材电影。——彼得泽尔撰写
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Jonathan T
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《唾弃2025》一名前科犯在离开澳洲二十年后返回，却遭到拘留。在拘留期间，他面对旧日的敌人，也结交了新朋友，并传授他心目中的“澳洲式兄弟情”，同时设法始终占据上风。
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弗兰克·凯佩罗
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A story of a police who infiltrates inside Yakuza which has business in US soil. But soon he discovers the beauty and respect of family he's offered place in.. Companela's guys, Italian mafiosos are seen arrogant and dumb, while Japanese criminals are somewhat peace loving; a bit too romantic setting. But still, not bad setting. Ryo Ishibashi acts well as Japanese Yakuza, and Viggo Mortensen is ever so cool.
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John Herzfeld
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This is the story of a young woman who was found dead. Now the police investigate, and evidence points to a man she was seen leaving a party with. Now when questioned, he claims that her death was accidental, as a result of rough sex. Now her family doesn't believe this, so they press the district attorney's office to try him for murder, but he has a good lawyer who plays his defense right down to putting the dead girl on trial.
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班庄·比辛达拿刚,柏德潘·王般,Youngyooth Thongkonthun,Paween Purikitpanya
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影片由四个小故事组成。 因为车祸而行动不便的女孩通过短信与一素未谋面的男孩交往甚密，她将自拍发给男孩，并向男孩索要照片，手机嗡嗡的震动着，男孩发给她的照片上，女孩看到的究竟是什么？男孩生来性格内向懦弱，这成为了同学欺负他的最佳理由。一开始只是玩笑般的打闹，但逐渐的，欺负步步升级。男孩忍无可忍，决定冒着极大的危险，通过降头术将欺负他的人一一杀死。一群朋友外出露营，夜里，无聊的他们以讲恐怖故事为消遣，却自己被自己吓到，抢着要睡中间最有安全感的位置。第二天，睡在中间的男孩意外溺水身亡，按照恐怖故事所说的，今晚，已经死去的他会从地狱归来。飞机上搭载着王妃的遗体，这次航班的任务就是护送遗体回国火化。空姐心里惴惴不安，没想到恐怖的事情真的发生了，遗体离奇消失，在机舱封闭的万物理论 百度云空间里，在本该空无一人的厕所中，传来了令人毛骨悚然的声音。
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Rodger Griffiths
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Twisted grief and paranoia run through the veins of this gritty Scottish thriller. A hunting trip turns deadly when three brothers (Daniel Portman, Calum Ross and Brian Vernel) plot to take out their temperamental, abusive father (Paul Higgins). Determined to end the cycle of abuse that has already claimed their mother, the boys bury him in the forest. But returning later to the shallow grave, there is a problem. The body is not there. The darkest of takes on the daddy issues drama, Rodger Griffiths’ debut feature coaxes star-making performances from an exceptional cast of Scottish talent. Building a deeply claustrophobic tone, from the dense forest landscape, to the brothers’ emotionally damaged inner worlds, Griffiths blends a thoughtful exploration of generational trauma and toxic masculinity with the grit of classic thrillers.
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Jacques Boyreau,Jon Moritsugu
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内详
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“We're a bunch of spoiled teenagers with nothing better to do than sit around and talk meaningless shit. Let's face it. All we'll be doing for the next 75 minutes is smoking, drinking wine and complaining about not having anything to do.”
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查尔斯·伯内特
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这部影片拍摄于1977年。 洛杉矶南部的贫民窟，斯坦一家就生活在那里。斯坦在屠宰场里工作，虽然他没日没夜地拼命乾活，但菲薄的薪水仍然不足以改善他们贫困的生活。由于整日忙于工作，同妻子和淘气的儿子没有什么交流，斯坦慢慢地同他们疏远了。他的两个熟人整日游手好闲，乾着杀人越货的勾当，他们想拉斯坦入伙，迫于生计，他同意了。事成之后，斯坦用分得的钱合伙同朋友尤金买了辆旧车，上下班的时候以车代步。粗心的尤金弄坏了汽车的发动机，斯坦将车修好，想用这辆车参加比赛，赢得奖金。不幸的是，在参加比赛的路上汽车又爆胎了，至此斯坦只得将比赛的念头放到一边，继续回到屠宰场老老实实地工作。 这部由查尔斯·伯纳特身兼导演、编剧、摄影、剪辑的影片真实地反映了美国社会的两极分化，通过在底层挣扎的主人公冒着风险试图改变生活困境而未能成功的遭遇，宣扬了在严酷的社会现实中，人无论怎样努力都无法摆脱命运安排的宿命论思想。影片没有什么情节，其中穿插了由著名歌星演唱的十多首流行歌曲，而黑白胶片的使用则使人物的阴郁心情和贫民窟的阴暗效果更加突出。 影片自拍成以来一直不被人关注，直到在4年以后的第31届（1981）西柏林国际电影节上才大放异彩，使评委感到震惊，从而获得评委会颁发的特别奖。 -------转自VeryCD-------
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Matheus Marchetti
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Somewhere in the Brazilian seaside, teenagers Lucas and Martin fall in love while investigating the disappearance of a local kid. But their blossoming romance is threatened by sinister forces lurking beneath that idyllic summery landscape.
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Oonagh Kearney
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George is a diabetic father who moves next door to daughter Zoe Dalton. Zoe seems to have it all, including successful husband Chris, but when she hires an au pair, Sandrine, the beguiling young French woman triggers an unsettling shift in the household as instincts and suspicions arise, hinting at hidden agendas.
