保罗
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保罗·杨,服部大二
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关原之战后35年，日本在变迁的时代中逐渐恢复和平。然而，某天突现可怕的怪物——“群凶”，它们袭击人类，以血肉为食。幕府秘密派遣讨伐队剿灭群凶，并将相关地域焚毁掩盖真相。
远离纷乱的多胡宿，曾是忍者的凛（木村文乃 饰）隐姓埋名，作为医生源三郎（高桥克实 饰）的助手，与无血缘关系的养女时（田牧空 饰）平静生活。某日，为了获取治愈时病症的药，凛远行至某村，却发现那里血迹斑斑、尸骨遍地，恐怖异形的群凶袭来。这一刻，她的悲痛往事浮现脑海。为了保护如亲生女儿般珍贵的时，凛踏上了一场生死未卜的旅程。与此同时，一个仍保有人类意识，却变成“半群凶”的男子士郎（田中树 饰）被世人厌恶幽禁。他苦于不知自身来历，为了解开身世之谜，踏上了寻找某人的旅程……
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迈克尔·珊农
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MichaelShannondirectsanadaptationofBrettNeveu’s2002playaboutamothercopingwiththefalloutafterhersonmurdersthreeofhishighschoolclassmates.Janice(JudyGreer)isstruggling;shemovesthroughlifeasifinahaze,unabletoletgoofherangerandfrustration.Whileherhusband(AlexanderSkarsgård)hasfoundrefugeatanewchurch,Janicefindsithard...
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克里斯·韦兹,保罗·韦兹
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根据玛莎·威尔斯（Martha Wells）畅销的雨果奖和星云奖获奖系列书籍改编，《谋杀机器人》（Murderbot）是一部科幻惊悚/喜剧作品，讲述了一个自我黑客化的安全构造体的故事。它对人类情感感到恐惧，却又被自己脆弱的客户所吸引。在完成一项危险任务的同时，谋杀机器人必须隐藏自己的自由意志，而它真正想做的只是独自一人观看未来主义肥皂剧，并思考自己在宇宙中的位置。
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克里斯·韦兹,保罗·韦兹
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根据玛莎·威尔斯（Martha Wells）畅销的雨果奖和星云奖获奖系列书籍改编，《谋杀机器人》（Murderbot）是一部科幻惊悚/喜剧作品，讲述了一个自我黑客化的安全构造体的故事。它对人类情感感到恐惧，却又被自己脆弱的客户所吸引。在完成一项危险任务的同时，谋杀机器人必须隐藏自己的自由意志，而它真正想做的只是独自一人观看未来主义肥皂剧，并思考自己在宇宙中的位置。
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罗伯特·昆宁
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Season4willpickupafullyearaftertheeventsofSeason3,andbusinesscouldn’tbebetterattheWild/ReidDetectiveAgencyasHarryandFerguswelcomeanunexpectedclient:CharlieWild.Elsewhere,Harryishiredbyafriendandformerwildchildturnednun;Lolastumblesuponadanceschoolmyster;aDublinliterarytourtakesabloodyturn;andFergus’hopesofgoingt...
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Rodger Griffiths
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Twisted grief and paranoia run through the veins of this gritty Scottish thriller. A hunting trip turns deadly when three brothers (Daniel Portman, Calum Ross and Brian Vernel) plot to take out their temperamental, abusive father (Paul Higgins). Determined to end the cycle of abuse that has already claimed their mother, the boys bury him in the forest. But returning later to the shallow grave, there is a problem. The body is not there. The darkest of takes on the daddy issues drama, Rodger Griffiths’ debut feature coaxes star-making performances from an exceptional cast of Scottish talent. Building a deeply claustrophobic tone, from the dense forest landscape, to the brothers’ emotionally damaged inner worlds, Griffiths blends a thoughtful exploration of generational trauma and toxic masculinity with the grit of classic thrillers.
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Richard Friedman
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A botched Christmas Eve robbery leads down a destructive path for a police officer reconnecting with his estranged mother, a coming-apart-at-the-seams amateur photographer, his vindictive and murderous fiancee, her secret lover and a strung-out mall Santa...as they all converge in one explosive and deadly night.
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Tiziano Ru
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《现出原形》（Fatti Vedere）桑德拉（玛蒂尔德·焦利 饰）是一位年轻的心理学毕业生，刚刚被知名线上心理治疗平台 GETHELP.COM 录用。但当她兴冲冲回家，准备把好消息告诉同居十年的男友斯特凡诺（弗朗切斯科·森托拉梅 饰）时，却发现他正提着行李离开，毫无解释地提出分手。桑德拉陷入彻底崩溃，一心想知道自己被甩的原因。讽刺的是，在上班的第一天，她不仅发现系统漏洞将她的身份和头像设定成了一位活力十足的70岁老太太，更意外发现她的首位来访者，竟然就是她的前男友。情急之下，她关掉摄像头、伪装声音，冒充这位“老年心理师”与前男友展开咨询。道德抛诸脑后，桑德拉在私家侦探马可（皮耶尔保罗·斯波隆 饰）的帮助下，化身“新一代窈窕奶爸”，继续伪装与前男友对话，只为弄清那个困扰她的问题：你为什么离开我？随着治疗进展甚微，好友贝妮黛塔（阿莎·阿基多 饰）的婚礼如期而至，所有的伪装也在这一天被揭穿，众人最终不得不——现出原形。
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保罗·奥斯特
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what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip. and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster). unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality. but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart. go innocently.
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Samir Oliveros
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Press Your Luck is a pic based on a true story of an unemployed ice-cream truck driver who won big on a 1980s game show. Set in 1984, the film follows Ohio resident Michael Larson, who steps on to the set of game show ‘Press Your Luck’ harboring a secret: the key to endless amounts of money. But his winning streak gets threatened when the executives in the control room start to uncover his real motivations.
