约
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Don McBrearty
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After an embarrassing and public breakdown, Detective Aidan Black (David Sutcliffe) is reassigned from his beloved SWAT team to the newly created Psych Crimes and Crisis Unit. There, he's dismayed to find his partner is not another cop, but forensic psychiatrist, Dr. Daniella Ridley (Stefanie von Pfetten). The unit also includes Detective Poppy Wisnefski (Luisa d'Oliveira) and psychiatric nurse Leo Beckett (Dayo Ade), with Inspector Diane Caligra (Karen LeBlanc) keeping a close watch over the unique partnerships. Passionate and opposing viewpoints are an inherent part of the job in Psych Crimes, and the answers the teams seek never come easy. Aidan's deep insight and investigative skills combine brilliantly with Daniella's keen ability to decipher human behaviour. Learning to work cohesively, the Psych Crimes and Crisis Unit investigates city's most troubling and psychologically complex crimes. Whether or not the unit is still around in a few months...
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娜塔莎·雷昂,莱恩·约翰逊
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Charlie Cale is back on the run, and in Season 2 we’ve taken her journey to the next level one murder mystery at a time," Johnson and Lyonne teased in a joint statement. "From minor league baseball to big box retail, from funeral homes to alligator farms and even a grade school talent show, Charlie navigates her crime solving existential road-trip with deadpan wit, human empathy, and her signature uncanny lie-detecting ability.
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弗兰克·凯佩罗
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A story of a police who infiltrates inside Yakuza which has business in US soil. But soon he discovers the beauty and respect of family he's offered place in.. Companela's guys, Italian mafiosos are seen arrogant and dumb, while Japanese criminals are somewhat peace loving; a bit too romantic setting. But still, not bad setting. Ryo Ishibashi acts well as Japanese Yakuza, and Viggo Mortensen is ever so cool.
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Germinal Roaux
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Fortuna, a 14-year-old Ethiopian girl, has had no news of her parents since arriving in Lampedusa, Italy. Together with other refugees, she is given shelter for the winter in a Swiss catholic hospice at an altitude of over 2000 meters. While they wait for their fate to be decided by the Swiss authorities, Fortuna meets Kabir, a 26-year-old African refugee, and falls desperately in love. Their relationship develops in secret, till the day Kabir disappears.
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阿瑟·佩恩
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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”
